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A Livingetc report describes a renewed appearance of preserved flowers embedded in resin across hospitality interiors, furniture and lighting. Designers and creative professionals quoted in the report associate the material with nostalgia, permanence and the preservation of memory; the scale of the trend is not established by sales or industry-wide data.
Preserved flowers set in resin are appearing in several interiors and design projects highlighted by Livingetc, including the bar counter at Paris herbal infusion house Apoticari and furniture and lighting by contemporary designers. The feature presents the material as a returning design approach, while the available reporting does not establish how widespread it is across the industry.
At Apoticari’s La Tisanerie, which the report says opened in September in Paris’s Haut-Marais, a floral-enriched resin counter serves as a focal point for the herbal infusion house. The space was founded by Elsa Snakers and is described as a venue built around making herbal tea a modern ritual. The report identifies the counter as part of the project’s botanical theme.
The feature also points to Monologue x Paraforma’s Gelo side tables, described as hand-cast resin pieces with varied textures and colors, and to work by Austrian designer Laurids Gallée. Romain Casella, founder and director of the London- and Geneva-based agency MAY, singled out Gallée’s Node 01 light, saying its resin and light appeared suspended. The article also discusses Dutch designer Sabine Marcelis and her use of resin in lighting.
Botanical artist and designer Marcin Rusak is preparing to show works including Flora Herbarium Clear Amber 152 at Salon Art + Design in New York, according to the feature. The event is listed for November 4–8 at the Park Avenue Armory. The article connects these projects through the use of resin to preserve or frame plant material, but does not provide sales figures, production totals or survey data showing the trend’s reach.
Why Designers Are Preserving Flowers
Resin offers designers a way to make delicate botanical material part of a durable object, rather than displaying flowers only in a vase or as a short-lived arrangement. In the projects described, the material appears in furniture, lighting and a hospitality counter, giving preserved blooms a functional role within interiors.
Casella interprets the appeal partly through nostalgia and a desire to hold a moment still. That is an attributed reading, not a demonstrated explanation for the popularity of floral resin. Still, it helps explain why the approach can carry meaning beyond decoration: a flower embedded in a table or light can be presented as an object to live with, and potentially as a record of a particular time or relationship with nature.
For readers following interiors, the practical takeaway is that floral resin is being used across different kinds of projects, not only as a small decorative accessory. The evidence in this report is a selection of examples, however, and does not establish that the material is becoming a dominant or lasting market trend.
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From Earlier Resin Revivals to Now
Livingetc traces floral epoxy-resin furniture to the 1940s and says the style returned in the 1980s. It describes the current interest as a further revival, appearing alongside renewed attention to amber-toned design. The source does not detail the earlier periods’ makers, sales or wider cultural influences, so those references provide a short timeline rather than a full history.
The article’s examples span commercial interiors and collectible or design-led objects. Apoticari’s counter is part of a working hospitality space, while the Gelo tables, Gallée’s light and Rusak’s botanical works are presented through their designers and material choices. The report also mentions Sabine Marcelis’s first solo museum exhibition, “Sabine Marcelis: Light and Color,” scheduled at Zurich’s Museum für Gestaltung from October 30, 2026, to April 4, 2027.
Livingetc’s feature associates the examples with its own Style Pulse S/S27 report, which names “One Decorative Gesture” as a design moment expected to affect interiors in the year ahead. That is the publication’s forecast, not an independent measurement of consumer demand.
““We’re deliberately choosing to freeze time — and there’s something reassuring in that in such unstable times: it doesn’t move; it’s there, still.””
— Romain Casella, founder and director of MAY, speaking to Livingetc
How Broad Is the Floral Resin Revival?
The report offers a curated set of projects and designers, not evidence that floral resin is widespread across the interiors market. It provides no sales data, production figures or consumer research, and does not compare current interest with earlier revivals. The description of the material appearing “everywhere” is the writer’s observation, rather than a quantified finding.
Further details about the featured works are limited. The article does not give prices, availability or full specifications for the pieces, nor does it explain the exact preservation and casting methods used for each project. It is also unclear whether the examples will lead to broader commercial production or remain individual commissions and design-led installations.
Upcoming Shows and Project Details
The next listed public milestone is Salon Art + Design, scheduled for November 4–8 at the Park Avenue Armory in New York, where Rusak is expected to present Flora Herbarium Clear Amber 152, according to Livingetc. The article does not say whether the work will be available for purchase or provide further information about the presentation.
Marcelis’s exhibition in Zurich is scheduled to run from October 30, 2026, through April 4, 2027. More information about the reach of the floral-resin revival would require follow-up evidence, such as additional projects, production details or market data. For now, the confirmed development is a cluster of reported design examples, rather than a measured industry shift.
Key Questions
What is floral resin?
Floral resin is a design approach in which flowers or other botanical material are embedded in resin, making them part of an object such as furniture, lighting or a counter. The Livingetc report does not specify one standard method used across its examples.
Where is floral resin appearing in the projects covered?
The report identifies a resin counter at Apoticari’s La Tisanerie in Paris and discusses Monologue x Paraforma side tables, Laurids Gallée lighting and botanical works by Marcin Rusak. It also references resin lighting by Sabine Marcelis.
Is floral resin proven to be a major interiors trend?
No market-wide evidence is provided. Livingetc reports several examples and includes floral resin in its design coverage, but gives no sales figures or industry data to measure how common the material is.
When can readers see Marcin Rusak’s work?
Livingetc lists Rusak’s Flora Herbarium Clear Amber 152 among works he is taking to Salon Art + Design, scheduled for November 4–8 at New York’s Park Avenue Armory. The feature does not provide additional details about access or sales.
Source: livingetc.com
